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Todd invited me to be a guest on his show again, and we picked a film that let me get in another post for the Strother Martin Film Project . Stop by and listen for an hour of Satanic horror.

So, thirty-five years ago tonight, my best friend and I sat on Hollywood Blvd. for more than sixteen hours, waiting in line to get a ticket to Return of the Jedi. A frat guy from UCLA was holding a place for his fraternity brothers and they all crashed the line a couple of hours before the midnight screening, almost starting a small riot. Our wives met us after work and joined us in line so they had been there for six hours, and they were not happy either. We got bumped from the first show and ended up near the front of the line for the 3 am show. That's right, 3 am. After it let out, Art and Kathy wisely went home, Dee and I went around to the front of the theater, got in line again, and went to the 6 am show. We later met Art and Kathy about 2 pm for a show in West Covina. So Three times on opening day, what a bunch of geeks. The world today is soooo different. Pre-opening ticket sales, reserved seats, a screening well before midnight, where did all the stupid fun go? Tonight we

I am afraid I have to admit, I am in the demographic this film is targeting. It felt a little odd being in a theater with so many old people, and then I realized, I'm one of them. So often I see myself as an old guy when talking to my students or other bloggers on a podcast. It is entirely possible that if I post this as a Lambscore, there will only be my review. The youngest star in this movie is sixty-five, so the crowd that craves "The Avengers" and "Deadpool", is well under half that age. This kind of film is counter-programming for the summer. Once in a while, the mature audience likes to be thought of as relevant enough to cater do, and movies like this result. It looks like this will be a successful venture for Paramount Studios, which could use a hit. The screening I attended was packed, and I think I may have been the youngest person in the audience. Book Club focuses on four women who were friends in college and have stayed in touch with one another in

Two years ago, the character of Deadpool was revived from a disastrous turn as a secondary character in a largely reviled X-Men movie. The character in that film was the mercenary named Wade Wilson, and the actor playing him was Ryan Reynolds, but in the most misbegotten script tuning imaginable, the character had his mouth removed permanently. Is there any way you can imagine Deadpool from two years ago and the one in this movie without the mouth that roars: sarcasm, cynicism non-sequesters and insults? It's enough to stage a revolt, which is apparently how Ryan Reynolds managed to wrangle the character back into his hands and become the embodiment of this non-X-men mutant. " Deadpool " (2016) had so much going for it and it was so fresh, it was inevitable that there would be a sequel.  What is not inevitable is that it would work a second time. The original director was not attached, we've had a series of very successful "Avengers" films filling the void f

The Manny Mota of the Lambcast steps up to the plate with four other dudes to talk about this 80s classic.

David Armstrong is a director who cut his teeth on dozens of projects but is best known as the cinematographer on the "Saw" series. He has one previous feature film to his credit, the crime thriller "Pawn" which looks like it has a very impressive cast. "The Assassin's Code" is also a low budget crime thriller and Mr. Armstrong knows how to get as much out of a budget as is possible. The production value on this film is impressive, given that the shoot was only twenty days and it all takes place in Cleveland. Without showing Jacob's Field or The Rock and Roll Hall of fame, the director has managed to make this mid-western crime thriller feel like it really is a part of the city. There are clever uses of some b-roll of the city streets, a nice drone shot to open the film, (big surprise it is a shot swooping in over water and focusing on the down town area.), and some very nice locations that can pass for city hall offices, concert halls and local ma

I really liked the Jason Reitman directed film "Juno" from a decade ago. The main reason it was so great was the script by Diablo Cody. Well here they are together again and they have come up with something different. It has many of the same qualities of their award winning earlier collaboration, but there are some left turns in the story that make it a completely different animal. In the long run, it is the kind of animal that you watch from a distance and admire, rather than a puppy or kitten that you take up in your arms and embrace whole heartedly.  Charlize Theron is a strong performer. She has immense talent, but sometimes it seems that she only gets credit for that talent when she is willing to deny her other great attribute, her beauty. In this film, the story tellers go a long way to make the character of  Marlo seem average. She appears at first as an extremely pregnant woman, who's distended belly can't be contained in her clothes. Theron manages to have a

This is over a week late and probably unnecessary. It looks like everyone will have seen this movie by the time anyone gets around to reading my comments, but for what it's worth, I want to be part of the conversation. I spent the last few days trying to catch up on my coverage of the TCM Film Festival, which was also delayed. The reason everything is running late is that I went to a late night screening of "Infinity War" during the Festival and my old butt has been dragging ever since. The advantage of waiting however has been that I got a chance to see it a second time this weekend and there are some more insights I can add as a result. My impression of the film originally was very positive, but I did not think it would rank near the top of my list of MCU films. The second viewing may change that because it is a better experience than I originally thought. This was a complicated story to put together. There are three or four parallel story lines at any time and each of

[Originally Published on Fogs Movie Reviews Fall of 2013] [Re-Published now in conjunction with the 2018 TCM Film Festival] I recently spent the weekend with some friends and a guy I know well, and have been friends with for more than thirty five years, had the audacity to suggest that the remake of this film was more entertaining than the original. I instantly dropped my jaw, exclaimed loudly that he had to be kidding and then proceeded to disagree in a condescending manner. I have to apologize for the tone, it was not called for and I would not want my friend to be angry at me because I mocked his preference for the 2009 version. I do want him to know and understand that although I liked the Denzel/Travolta film, it can't really hold a candle to the original and that vigorous defense of the 1974 classic  begins now as I once more recommend a movie that I want everyone to see. The nineteen seventies were the last golden age of movie making. There have been plenty of gr

After waiting a whole year and salivating over all the choices for a number on months, it is always a little melancholic to arrive at the final day of the Film Festival. Like the end of a Christmas day or most weekends, the conclusion of something you enjoy so much feels a little heavy, like sun-downer syndrome. Still I had a day full of films ahead of me, and since I am a 70s guy, I made the most of the bigger venues and saw three from the last golden age of Hollywood film making. The Black Stallion This is one of the most beautiful films you ever saw. The cinematography by Caleb Daschanel is entrancing, both the sections set on a Mediterranean Island and those taking place in middle America in the 1940s. I think the phrase "magic hour" might have been invented to describe much of the work here. Amanda had never seen this film. I bought a copy on DVD for the girls when they were younger but they never got around to watching it before they were off to college, so I guess it i

The original plan was to see "Kiss Me Deadly" and try to squeeze in a program called "Crackin' Wise" and finish off the day with a nitrates screening of "Spellbound". None of those three things happened. This was still a jam packed day and there were other programs to see that held all kinds of allure for me. His Girl Friday The first change of the day began before anything had really started. I was with my daughter and while we are not locked at the hip, I do enjoy taking in the films at the festival with her as much as possible. Although I wanted to keep a Noir thing going by seeing the Mickey Spillane based "Kiss Me Deadly". I have seen it before however and missing it was not going to hurt that much. Amanda had not seen His Girl Friday before and that's where she was headed so I chose to tag along. There was another reason I chose this, my friend Michael, who is a blogger here in Southern California, was going to see this and I hadn&#