LAMBracket: Best Christmas Movie – Play-Off #7: From December 1st until Christmas Eve, here on the LAMB, we’ll be determining what is the BEST Christmas movie of all time. We’ve asked you all which films are the main contenders, and …
If you are not considering The Muppet Christmas Carol as your choice for the best Christmas movie of all time, you must not have seen the film. Not only is it a great Christmas film, it is in many ways, the greatest telling of one of the most important Christmas themed stories of all time. Charles Dickens’ story has been filmed more than two dozen times, with distinguished Shakespearean actors and American Television Thespians. None of them can hold a candle to this version which succeeds because of two fantastic features. First, look at the title, “Muppets”. I have heard that there are people who do not appreciate The Muppets, I don’t want to know who those people are. The off kilter humor, the manic and deadpan delivery in the same scene, the plethora of weird characters are all things that make even the most mundane material watchable. Kermit the Frog is perfectly cast as Bob Cratchitt. Miss Piggy is surprisingly subdued as his wife and the mother of Tiny Tim. Meanwhile, subverting the proceedings by drawing attention to the narrative explicitly, Gonzo and Rizzo Rat are a Greek Chorus representing Dickens himself. You can’t beat that for creative story structure on this particular tale.
Muppets alone would be enough to elevate this to the status of Christmas classic, but there’s one other secret weapon here that should overwhelm any other objections, Michael Caine. In most versions of the story, Scrooge is ancient and closer to the end of life. Caine is closer to middle age, which means his arc of redemption will span the life of the Cratchit family more. Caine plays crotchety without being particularly old.We can accept that he has an old man disposition with a younger man’s vigor. He also sings. Maybe not the dulcet baritone that would be featured in a stage version of the story, but he has a “talk-singing” style that works perfectly for the amusing Paul Williams penned songs.
“Oh, Scroogey loves his money ’cause he thinks it gives him power, If he became a flavor you can bet he would be sour “
When I first saw the trailer and concept for this movie, I was tempted to refer to it as "Driving Mr. Daisy". There are some parallels to the Oscar winning film of 1989, but the superficial comparisons stop pretty quickly. Although the racial component is certainly a key component in the film, "Green Book" explores the relationship between the main characters in a much more diverse manner. Viggo Mortensen plays a man on the fringes of society in the urban jungle of New York circa 1962, but in many ways he represents the whole country at a moment in time when the world might change. Mahershala Ali is more mainstream in the City, but even there he is a lonely figure, who is an imperfect vessel for a message of change, but one that he has decided to deliver. The movie is a polemic waiting to happen but it steps back from being a political film at it's core and instead focuses on the tentative friendship between the two men of such different backgrounds. There is p...
This site is always personal. I inventory every film I see in a theater, I share my history with films, and every review is always based on MY reaction, and expressed in my voice. So having achieved the milestone of reaching six decades of life, I want to share a little nostalgia from sitting in a movie theater. I had a different plan originally, but I chose to tighten it up, which may sound odd when you see what comes. Scary Movies I am a horror fan, though maybe not deeply enough for all those Gallo fans out there. The first time I remember being scared at a movie was seeing "The Time Machine". My Mom's friend that we always called Aunt Ginny, took us to a summer series of films at the Rialto in South Pasadena, maybe four blocks from where I lived at the time. Morlocks gave me nightmares. The scariest movie I ever saw however, continues to this day to be the Exorcist. I was fifteen when it came out and I wanted to see it because my Dad and his adult friend Rusty had go...
The man is 88 years old and still working hard to make good films. I skipped the first of his 2018 movies, the poorly reviewed "15:17 to Paris". I was initially interested in seeing it, but the reviews were so bad that even the idea of the actual heroes playing themselves was not enough to induce me. This film does not any gimmick to it, it simply has the one essential plus that could over power any doubts; Clint is acting in the movie. In addition to directing, which has been his main focus for the last decade, he has come out of semi-retirement as on on-screen presence to deliver a performance to potentially cap off his amazing career. It's unlikely that he will receive Awards attention, he will be stereotyped as playing a character that he is, an old man. That character can also be seen as not to distinct from Walt in "Grand Torino", a man who today's generation would see as a racist because of the generation he grew up in. He is also likely to be ignored...
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